This space takes inspiration from Gary Snyder's advice:
Stay together/Learn the flowers/Go light

Wednesday 14 December 2011

Entering into thankfulness

At Christmas, many surprises of a good kind await a person living in a state of alertness to all that life can deliver from the hands of the natural world and from the generosity of the people around us. However, despite all that makes the going hard, we can find peace, even joy. Here are two poems that explore the necessary deep-seated spirit.
The Peace of Wild Things
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
Wendell Berry
     From Collected Poems (North Point Press) 1985
Sabbaths 1998, VII
There is a place you can go
where you are quiet,
a place of water and the light

on the water. Trees are there,
leaves, and the light
on leaves moved by air.

Birds, singing, move
among leaves, in leaf shadow.
After many years you have come

to no thought of these,
but they are themselves
your thoughts. There seems to be

little to say, less and less.
Here they are. Here you are.
Here as though gone.

None of us stays, but in the hush
where each leaf in the speech
of leaves is a sufficient syllable

the passing light finds out
surpassing freedom of its way.

Wendell Berry
                 From Given (Showemaker & Hoard) 2005
For more about Wendell Berry’s view of life, see

Sunday 11 December 2011

Christmas and gratitude


The English writer G.K. Chesterton had powerful sense of gratitude that become stronger the older he got.  Here is what he wrote about day-to-day thankfulness:
What has happened to me has been the very reverse of what appears to be the experience of most of my friends.  Instead of dwindling to a point, Santa Claus has grown larger and larger in my life until he fills almost the whole of it.  It happened in this way.  As a child I was faced with a phenomenon requiring explanation.  I hung up at the end of my bed an empty stocking, which in the morning became a full stocking.  I had done nothing to produce the things that filled it.  I had not worked for them, or made them or helped to make them.  I had not even been good—far from it.  And the explanation was that a certain being whom people called Santa Claus was benevolently disposed toward me…What we believed was that a certain benevolent agency did give us those toys for nothing.  And, as I say, I believe it still.  I have merely extended the idea.  Then I only wondered who put the toys in the stocking: now I wonder who put the stocking by the bed, and the bed in the room, and the room in the house, and the house on the planet, and the great planet in the void.  Once I only thanked Santa Claus for a few dolls and crackers, now I thank him for stars and street faces and wine and the great sea.  Once I though it delightful and astonishing to find a present so big that it only went halfway into the stocking.  Now I am delighted and astonished every morning to find a present so big that it takes two stockings to hold it, and then leaves a great deal outside: it is the large and preposterous present of myself, as to the origin of which I can offer no suggestion except that Santa Claus gave it to me in a fit of peculiarly fantastic goodwill.
http://www.gratefulness.org/readings/dsr_chesterton.htm
See also the movie at  http://www.youtube.com/watch?v=gXDMoiEkyuQ


Friday 28 October 2011

Biblical Insights into Our Condition

The account in Genesis 3 of the fall of humans from their state of joyful peace in the garden of paradise has Eve tempted by the serpent who urges her to eat of the forbidden tree of knowledge - "You will be like gods, knowing good and evil". The drama asserts that "the core of sin is the attempt to replace God as the determiner of morality". The International Bible Commentary (1998) goes on: "Eve understood the command of God clearly enough. But both she and her husband desire to be like God, and agree to the sin. They are immediately aware of their lost innocence and the new strength of their sexual passions as they find themselves naked. Now they are indeed more knowledgeable..., but it is the 'practical' knowledge of sin's effects and its power in human actions".
This mysterious incident recognises that human nature is disfigured, but a person is not demeaned, and much of the Bible tells of individuals and the privileged nation being held to account for failure to uphold their responsibilities as humans. Also, they have retained an intimate relationship with their Maker. That is borne out in Psalm 130, the De profundis, used by Oscar Wilde and Charles Baudelaire, among others, because of  its vivid depiction of a life in the depths of an evil of the person's own making. The Commentary says here, "There is an interesting link established between [God's] forgiveness and fear: rather than the anger of the Lord it is divine goodness that should give rise in us a fear of offending God".
A third insight into the continued intimate relationship with our Maker is provided by Psalm 137, where the first line goes "Beside the streams of Babylon we sat and wept...", inspiring many artistic works, even into the 21st Century. The psalm focuses on the period of exile in Babylon. The Commentary offers this insight:
The ending of the psalm contains a famous and furious curse on the enemies of Israel. [Further,] a cruel beatitude is reserved for anyone who will avenge Israel by striking at Babylon and smashing its little ones against a rock. This embittered and rhetorical cry that ends the psalm is, however, an appeal to the divine judgment and should be interpreted in the light of the other 'imprecatory' psalms such as 58 and 109. It is a manifestation of the tragedy and despair of an oppressed people but also of the enfleshment of God's word in the emotions and historical experiences of humanity.

Sunday 25 September 2011

Wild Flowers


I enjoy looking at woodprints of wildlife because they draw the eye to every little detail of what the artist is focusing on. Recently I have taken delight in the work of the artist whose piece I have displayed here.

Yasuo Kuniyoshi (United States, born Japan, 1889-1953), Wild Flowers, 1922, pen and ink, ink and wash on paper, 17 5/8 x 12 inches. Wadsworth Atheneum Museum of Art, Gift of William E. Hill, 1959.17.
http://www.einspruch.com/journal/2010/08/16/the-lanes-whom-you-loved-is-not-here


   Another piece that attracted my interest is this, the source of which I have not been able to track down, but which expresses a clear Chinese spirit. Upon discovering the cricket, the heart gives a leap for joy.  

Saturday 24 September 2011

With every beat of the wing

Among the weeds at the side of small lake in Binh Duong province, Vietnam, colourful flowers stand out. And, yes, there's the equivalent of a bumble bee heading for the source of its own well-being. (My photo)

Saturday 13 August 2011

The Lotus Life Cycle

A copycat artist's rendering of an original Vietnamese work
The people of Vietnam regard the lotus (Nelumbo nucifera) as one of the four graceful flowers and plants, along with the pine, bamboo, and chrysanthemum. Known as the ‘flower of the dawn’, the lotus is found throughout the country at lakes and ponds. To the Vietnamese, the lotus is the symbol of purity, commitment and optimism for the future. The elegance of the lotus is often cited in  folk songs and poems.

Most Vietnamese observe some form of Buddhism, and in Buddhist symbolism  the lotus represents purity of body, speech, and mind, floating above the muddy waters of attachment and desire. The Buddha is often depicted sitting on a giant lotus leaf or blossom. According to legend, he was born with the ability to walk immediately and everywhere he stepped, lotus flowers bloomed.

The lotus and the lily, pictured here, have a major difference in that the lotus's leaves rise out of the water (below), and as described here - but see more on the family feud below. 
The lotus has a use even as it dies. Its seeds 
are collected and can be used as a food or beverage.
This depiction of the last days of a lotus
is part of a work by Ha Huynh My, whose
works are in private collections in many countries.
For a long time, there was confusion among taxonomists regarding the relationship of lotus (Nelumbo) and water- lily (Nymphaea). But using DNA evidence along with other taxonomic studies, researchers now agree that lotus and water-lily belong to two different families. In fact, studies have shown that whereas lotus is a member of the more evolved group of plants known as the 'Eudicots', water-lily is a member of a primitive group (Nympheales) that occurred as early as the cretaceous period. The lotus plant is more closely related to Platanus or the sycamore also known as the plane tree and the members of the family Proteaceae!! A closer look by botanists revealed many similar features in the floral and vegetative morphologies between the members of lotus, sycamore and proteas. (From Simple Expressions: The World of Flowers)

Nature's riches

Sunlight, oil on canvas, by Bich Nguyet, who presented this work at a 1999 exhibition in Ho Chi Minh City, her hometown. Her exhibits often featured textures that highlighted natural variations, and a colour wash, as with Sunlight, that spurred a fresh interest in the subject matter.